UPDATED HOURLY 24/7
AP - Lea Michele is moving from a locker to a much bigger closet. She's the star of the new Candie's ad campaign, dubbed "Hanging at Home," shot at a private mansion in Beverly Hills, Calif. The images show her poolside, in the kitchen, in a bed with satin sheets and in a walk-in closet, wearing a new outfit and pair of shoes in each one.
International-travel bookstore Idlewild unveils a Brooklyn offshoot to its Flatiron headquarters.
A pendant lamp, a magazine rack, and more new stuff in New York stores.
We grew up in the suburbs, and people used to stare at us because we were different. We created eyewear to block eye contact.
Colorful socks, Idlewild opens in Brooklyn, and more.Karl Lagerfeld understands decor as well as he knows fashion. The premises for his new signature collection Karl are an opulently minimal series of salons in an hôtel particulier on the Left Bank, so it made sense that the food for the dinner party he hosted on Wednesday night to launch the line should also focus on the bare opulent essentials: caviar, foie gras, and lobster, with a logo-fied iPad as a takeaway. One of the T-shirts in his Karl range features a fanciful self-portrait with the handwritten message "I Love Gossip." Plenty of that in a room full of fashion people, though I spent much of the night talking about obscure Eastern European films with the encyclopedically informed Anja Rubik. How often do you get the chance to have a real talk with anyone about Dusan Makavejev's scatological Sweet Movie? Especially while chunks of foie gras are drifting back and forth under your nose.
Rubik stars in the commercial that Trey Laird made for the launch of Karl. It was pre-loaded on the iPad. Sui He is also in the ad. She spoke no English when she arrived in New York a year ago but now sounds as politely precise as an elocutionist. On the day of the shoot, Sui was intimidated by the ease of the more experienced models. "It was like a competition," she said. Everyone's a winner in the finished product, which premiered at the dinner, but Sui seemed a little taken aback at how persuasive she was as a minx.
"It's a new mix," murmured Lagerfeld to the camera at the end of his film. Right on cue, Azealia Banks appeared to perform. The neighborhood is "nice," so she didn't get to play more than two songs, but a ruckus was duly raised, and the hair of the haute bourgeoisie peering down into the yard from their windows was surely curled (presuming they could understand her four-letter wordplay). From caviar to c-you-know-what…It may have been a new mix, but it was the same old polymath Karl.
After the success of the Double Club in London, Paris was an obvious target for another of Prada's cultural interventions. The 24 h Museum was exactly that, an imposing exhibition space constructed inside the Palais d'Iéna for all of one day. Prada's collaborators this time were the art provocateur Francesco Vezzoli and Rem Koolhaas's design team AMO, who mimicked the traditional museum setup with a central gallery of classical "sculptures" (photographic images of ancient statues mounted on Perspex, with contemporary features superimposed). There was even a monumental techno-goddess in the grand stairway of the Palais, à la the Winged Victory at the Louvre.
The 24 h Museum opened last night with a party that was a work of art in itself. First, there was a dinner for 120 or so, in the central gallery. As party guests began to arrive and the gallery's metal grill doors were briefly closed, it became clear that we were actually in a huge cage. That fit right in with the conceptual mind games Vezzoli and his patron Miuccia Prada play so well. Super-chef Alain Passard, who specializes in extraordinary vegetariana, did the menu. I tasted a hibiscus reduction for the first time in my life. Entertaining (on a grand scale) footnote: All the tableware, glasses, and cutlery apparently came from Miuccia's home. After dinner, there was a disco in the Salon des Refusés, the room where museums would traditionally store things that were rejected from exhibitions. Kate Moss directed the music—Dexys Midnight Runners, David Bowie, George Michael, the hits of your (or at least her) life.
It's easy to imagine the Herculean effort that went into making the 24 h Museum happen. That's power. But it looks like power is Prada's theme this season. The shadow cast by Miuccia's star-injected men's show last week is a long one. She got another celebrity turnout last night, from Polanski and Deneuve to Salma Hayek and Diane Kruger, with a smattering of art world stars. Still, the ever-contrary Vezzoli said, "This is a night when romanticism trumps power." Mind you, it was romance with a twist. The artist also claimed inspiration from the Oedipus complex. It was his mother's eyes that were superimposed on every statue.